Music

(Amadeus). This thorough revision of a classic handbook is designed primarily as a guide for students writing papers or theses on musical subjects, but is useful for anyone writing about music for publication. It deals with the mechanics of scholarly writing, citation and documentation, as well as the nuts and bolts of punctuation and abbreviation. But it is also a sensible guide to good writing. In this edition, Mark A. Radice has taken into account all the technological changes that have transformed writing and publishing while preserving Irvine's voice. He has also added a new section on incorporating music examples in a written text.

Where do you place the hyphen in "Beethoven" if it breaks between two lines? How do you cite John Coltrane's album A Love Supreme? Is it "premiere" or "première"? The answers and much more can be found in this definitive resource for authors, students, editors, concert producers--anyone who deals with music in print. Extending the principles devised for the classical repertoires, this revised and expanded edition now includes examples from world music, rock, jazz, popular music, and cinema. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, while others explain the requirements for submitting manuscripts and electronic files, and outline best practices for student writers. An appendix lists common problem words. Updates include greatly simplified citations of Internet locators, the recognition of multiple platforms, and the expectation of paperless transmission and storage of work. Cited as the authority by The Chicago Manual of Style, this classic handbook is the go-to source for anyone writing about music. Also available as an e-book!!!

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